When Vittorio Emanuele II died, on 1878, it was decided to erect a monument celebrating the Father of the Nation, and with him the entire period of Risorgimento. In 1880 he was banished the first international competition, won by the Frenchman Nénot, to whom however did not follow an enforcement phase of the project. In the next competition, launched in 1882, participation was reserved only for Italian designers. It was also drawn up a detailed list of recommendations for the project, that prescribed “a complex to be erected on the high north of the Capitol, in line with the Via del Corso; a bronze equestrian statue of the King; an architectural background of at least thirty feet length and twenty-nine in height, left free in form but adapted to cover the buildings behind and lateral Church of Santa Maria in Aracoeli. “The competitors had one year to deliver the project. The proposals submitted were 98 and of the three selected for the final choice the royal commission voted unanimously Giuseppe Sacconi, a young architect from Marche

Victor Emmanuel II always had the goal of making Italy unified. Then there arose a unified Italy in 1861 and he came to be the first king. When he died in 1878, he was buried in the Pantheon

The monument was started in 1895 and was later finished in 1911. The whole area in which it is now situated, underwent extreme demolition and so it was said to be a grandiose edifice on top of dead grounds. There were even ruins and rare finds excavated upon its construction

The focal point of the monument is the statue of a horseman. This was made as a representation of Victor Emanuel II. It was completed in 1889 and was inaugurated in1911.

It also has its famous detail, the Altare della Patria, or the Altar of the Fatherland, which is where the tomb of an unknown soldier is found. This soldier was killed in the 1st World War and became a symbol for all unknown fallen soldiers of Italy. So, the monument is not just to commemorate Victor Emmanuel II, but also all war casualties during the medieval world.

Although hurled with numerous criticisms as to its architectural finish, the monument remains a popular spot for sightseers. For some, the structure is similar to a wedding cake, because of its wide stairways. Others would see it as a typewriter because of its odd and huge shape.

The opening of the monument as a public place created accessibility that made it very popular among Italians and now even tourists from other nations.

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